Carry on Canyoning: How we captured Arizona at 1000fps for Philips OLED TV

In February, we offered two readers the chance to join us on a one-in-a-lifetime trip to the Arizona desert, in partnership with our friends at Philips. Six months, thousands of miles and a whole lot of sand later (it's everywhere), we've finished part two of our Extreme Earth series.

The resulting 90-second video (click here to watch) is a spectacular piece of desert eye-candy (even if we do say so ourselves) made by possible by some of the most advanced 4K cameras on the planet and a tremendous effort from our crew of creatives, clients and competition winners.

Beginning and ending in Las Vegas, with a solid stint in the city of Page Arizona in-between, we hooned across the desert in tricked-out 4x4s, explored stunning slot canyons buried hundreds of feet into the ground and camped out beneath an impossibly sparkly night sky by firelight.

To capture the latter, the crew layed out motorised tracks and high-resolution stills cameras, capturing spectacular moving timelapses of the skies above. And to capture the roaring fire, we listed the services of Dustin Farrell, a high-speed cameraman equipped with a Phantom Flex 4K. Capable of shooting 1,000fps at 4K, the Phantom Flex is part supercomputer, part video camera and came to us fresh off the set of a Hollywood movie. Just five minutes captured with the Flex uses around 3TB of data.

The proof is in the pudding, of course, so be sure to watch the premiere of Extreme Earth II above to learn more. And, if you're interested in seeing how the video was made (along with how our readers got along), check out the "making of" documentary below.

OLED + Ambilight: The Ultimate TV Experience

If you’re going to fly a production crew—plus prize winners—halfway around the world, you have to be sure the film you’re making is going to look its absolute best. Thankfully, part two of Philips’ Extreme Earth series was shot for the incredible 65-inch OLED803 TV.

These Ultra HD, OLED sets offer the infinite contrast ratio the film crew were banking on when they shot their overnight timelapses, as well as HDR, allowing the crew’s footage from the canyons—where there was often a huge difference between the brightest area of a frame and the darkest—to stand out without clipping detail in the highlights or losing important textures in the shadows. 

Philips’ P5 Perfect Picture Engine results in the sharpest images, the smoothest, most natural looking motion as well as HDR processing. Picture quality isn’t the only headline. The premiere TV was set up by Philips’ own experts.

Fortunately, if you don’t have your own TV expert to hand, there are various built-in wizards designed to get your TV set up and looking its best in no time. Plus, with Android TV built-in, you have access all the smart TV features and on-demand services you need.

One of the stars of the show—and the reason our intrepid crew’s location was chosen—was Philips’ Ambilight technology. Ambilight is a series of LEDs behind the TV that detect colours near the edge of the display and fire them backwards onto nearby walls, producing a more immersive, colourful and impactful show.

That means the neon of Las Vegas appear to spill well beyond the TV’s generous frame, while the orange walls of the canyon extend past the edges of the screen to produce an experience as close as you get to being there without picking desert sand out of your teeth.